Electrified bikinis, cellos made of ice … Moorman created a template for avant-garde and performance art. So why is she still unknown? O n a freezing night in February , connoisseurs of advanced music thronged to a small concert hall beneath the Wurlitzer Building in New York to hear — also, assuredly, to get an eyeful of — the cellist Charlotte Moorman. Among them were half-a-dozen conspicuous squares whom everybody pegged immediately as plainclothes policemen. Moorman took the stage wearing an electrified, flashing bikini.
Stock Photo - Attractive sexy musician playing cello. Naked woman with long hair looking at camera.
Topless Cellist | The MIT Press
The first book to explore the extraordinary career of musician and performance artist Charlotte Moorman, whose work combined classical rigor, avant-garde experiment, and madcap daring. The Juilliard-trained cellist Charlotte Moorman sat nude behind a cello of carved ice, performed while dangling from helium-filled balloons, and deployed an array of instruments on The Mike Douglas Show that included her cello, a whistle, a cap gun, a gong, and a belch. In the s, Moorman — became famous for her madcap and often unclothed performance antics; less famous but more significant is Moorman's transformative influence on contemporary performance practice—and her dedication to the idea that avant-garde art should reach the widest possible audience. In Topless Cellist , the first book to explore Moorman's life and work, Joan Rothfuss rediscovers, and recovers, the legacy of an extraordinary American artist.
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